"Dark Souls sound director to leave FromSoftware". Lead Sound Designer: Yuji Takenouchi / Sound Staff: Hideyuki Eto "Game Music: Interview with Yuji Takenouchi (October 2009)". With kidlit and Keisuke Morita also sound director With Tomomi Teratani, Rio Okano, and Atsushi Yamaji also sound director Sound design with Koichi Suenaga and Kota Hoshino Sound design with Hideyuki Eto and Koichi Suenaga With Keishi Yonao, Hideki Higuchi, Ryu Umemoto, Tadayoshi Moriya, and Tetsuro Sato Monster Hunter Diary: Poka Poka Airou Village G Monster Hunter Diary: Poka Poka Airou Village Gekitotsu Toma L'Arc: TomaRunner vs L'Arc-en-Ciel With Mayuko Kusaka, Hideyuki Eto, and Jun Chuma With Yoshihiko Koezuka and Kazuhiro Senoo Seiichi Fukami, Junya Nakano, and Ayako Nishigaki This list is incomplete you can help by adding missing items. Takenouchi produced Saki Hayash's mini-album, TESTAMENT, which released in May 22, 2021. Takenouchi contributed to KE-TSU-I kizunajigokutachi, an arrangement album of music from Ketsui: Kizuna Jigoku Tachi, which released in August 2020. A compilation of Takenouchi's three house-inspired extended plays, Brand New Day, Southern Paradise, and Parfum was released in March 2017 by Apollo Records and titled after the first EP. In 2016, Takenouchi left Access Games to join iNiS. The sound team was given reference material by Hidetaka Suehiro and Hiroyuki Saegusa through existing songs from various dramas and movies. Takenouchi served as sound director and composer for D4: Dark Dreams Don't Die, working on sound direction from the second episode onwards. Takenouchi later joined Access Games, after a conversation with producer Nobuo Tomita. After working on sound design for Dark Souls II, Takenouchi left FromSoftware. Takenouchi contributed to the Monster Hunter 10th Anniversary Compilation Album, which released in October 2014. Takenouchi would then work on sound design for the game's 2011 spiritual successor Dark Souls. As Takenouchi was inexperienced with orchestral scores, he brought Shunsuke Kida to compose the soundtrack. Takenouchi later joined FromSoftware, where he worked on sound design for Demon's Souls with Hideyuki Eto, marking their fourth collaboration. He suggested Akira Yamasaki as a composer, acting as a supervisor instead. Takenouchi was managing a school at the time, leading to hectic schedule. After leaving Sony, Takenouchi was approached to compose music for Ace Combat X: Skies of Deception. In 2002, Takenouchi composed the soundtrack of ChainDive with Hideyuki Eto, who previously contributed music for Circadia and sound design for Sky Gunner. In the same year, Takenouchi composed for TomaRunner, drawing inspiration from various genres including techno, rock and roll, and baroque. While unsatisfied with the final product, the soundtrack was positively received, and Takenouchi would arrange songs from the soundtrack 10 years later. In 1996 Takenouchi composed the soundtrack for Circadia for the PlayStation, which was his first project for the platform. In 1996, Takenouchi left Konami to join Sony Computer Entertainment after participating in the project "Let's Play Games" ("Game Yarouze"), which Sony hosted. He found arcade game music and sound design to offer different challenges as arcades are a crowded environment. Takenouchi also worked on multiple arcade games, including X-Men. Takenouchi considers 1989's Space Manbow to be his best MSX-era work. He composed for multiple games, most notably SD Snatcher and Metal Gear 2: Solid Snake. Takenouchi wanted to compose music for the NES, but was assigned to work for PC. Takznouchi began his career in the game industry at Konami in 1989, which proved to be challenging as he had no formal musical training. For one possible way to think of this thing, look at the description, and compare it with the bat'leth mentioned above. but since it's such a complex weapon, it comes with a -1 modifier. ** As a 'nod' to reality, using this thing is at -1 to your skill (Staff uses the Staff skill, for those keeping score). *** This one is apparently a staff version. Not nearly as impractical as it looks (and it does look pretty clownish at first glance), but certainly not a weapon you want to use without proper training. While the text translates it as "Heaven and Earth, Sun and Moon ''Sword''", it actually a fairly common weapon in southern styles of kung fu. ** What, a tiger hook sword? It's wielder. A double, double weapon that's almost comically dangerous to the wielder. The Qian Kun Ri Yue Dao has features a sickle blade at each end and hand guards that have ''another'' blade attached to each. * ''TabletopGame/'': Martial Arts managed to dredge up an obscure example that I've never seen elsewhere.
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